Eclipse Series 24: THE ACTUALITY DRAMAS OF ALLAN KING: KING, Allan: A Married Couple (1969)
Billy and Antoinette Edwards let it all hang out for Allan King and his crew in this jaw-dropping examination of a marriage in trouble, which "makes John Cassavetes's Faces look like early Doris Day" (Time). Intense and hectic, frightening and funny, A Married Couple is ultimately a film about the eternal power struggle in romantic relationships, as well as a document of the moment when once entrenched gender roles began to crumble.
96 minutes
Color
Monaural
1:33:1 aspect ratio
Criterion Release 2010
Director
Allan King was 39 when he directed A Married Couple.
Other King films in the Collection:
Eclipse Series 24: Warrrendale (1967)
Eclipse Series 24: Come On Children (1972)
Eclipse Series 24: Dying At Grace (2003)
Eclipse Series 24: Memory For Max, Claire, Ida And Company (2005)
The Film
Other King films in the Collection:
Eclipse Series 24: Warrrendale (1967)
Eclipse Series 24: Come On Children (1972)
Eclipse Series 24: Dying At Grace (2003)
Eclipse Series 24: Memory For Max, Claire, Ida And Company (2005)
The Film
“[This examination of.a marriage in trouble] makes John Cassavete’s Faces [(1968) {Spine #252}] look like early Doris Day” — Time Magazine
With the proceeds from the Cannes success (and Jean Renoir’s praise) of Warrendale, King had the means to film this actuality drama in color, with a full crew, including two composers!
In the early scenes, the couple (Billy and Antoinette Edwards) do appear to be playing to the camera. She wants a harpsichord, and the adamant husband’s refusal seems calm enough.
They dance (to A Day in the Life! — beautifully filmed through reflective glass), they flirt self-consciously before the cameras, they attend to their toddler son, Bogart.
Antoinette — her thick New York accent betrays her origins — seems to aspire to become the princess-queen of her tragic namesake. Having not procured the harpsichord, she is later shown shopping for a piano.
[It is too bad King didn’t delve into her affinity for music — in an intense later scene, as the marriage begins to dissolve — she lustily cries into her husband’s arms at a party where an aria from Mozart’s The Magic Flute is playing. Perhaps she had had more than just one or two piano lessons.]
Reality as raw material — with no real editorial involvement — is interesting enough. But just a few years later, Bergman would show a disintegrating marriage played by actual actors (the magnificent Scenes from a Marriage (1973) {Spine #0000A/#229}, something several planes above King’s docu- — sorry, actuality drama.
Michael Koresky’s liner notes (the only supplementary material on this Eclipse release) tell us that the couple had another child, then divorced in 1972.
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