Posts

Showing posts from March, 2021

#1083: REES, Dee: Pariah (2011)

Image
REES, Dee (United States) Pariah (2011) Spine #1083 Blu-ray \ The path to living as one's authentic self is paved with trials and tribulations in this revelatory, assured feature debut by Dee Rees -- the all-too-rare coming-of-age tale to honestly represent the experiences of queer Black women. Grounded in the fine-grained specificity and deft characterizations of Ree's script and built around a beautifully layered performance from Adepero Oduye,  Pariah  follows Brooklyn teenager Alike, who is dealing with the emotional minefields of both first love and heartache and the disapproval of her family as she navigates the expression of her gender and sexual identities within a system that does not make space for them. Achieving an aching intimacy with its subject through the expressive cinematography of Bradford Young, this deeply felt portrait finds strength in vulnerability and liberation in letting go. 86 minutes Color 5.1 Surround 1:85:1 aspect ratio Criterion Release 2021

#1082g: RIGGS, Marlon: Black Is . . . Black Ain't (1995)

Image
RIGGS, Marlon (United States) Black Is . . . Black Ain't (1995) Spine #1082g Blu-ray Director/Writer Marlon Riggs  was 38 when he directed  Black Is . . . Black Ain't . Made with an urgency imparted by the knowledge that he was nearing the end of his life, Marlon Rigg's final film -- completed after his death of AIDS by a group of his devoted collaborators -- is a wide-ranging consideration of a question that had long been central to his work: What does it mean to be Black? Using his mother's gumbo recipe as a metaphor for the diversity of the African American experience, Riggs travels the country, seeking insights from leading thinkers like Angela Davis, Henry Louis Gates Jr., bell hooks, and Barbara Smith as well as ordinary people -- young and old, rich and poor, rural and urban, gay and straight -- all grappling with the numerous, often contested definitions of Blackness that have shaped their lives. Punctuated by footage of a dying Riggs directing his crew and deli

#1082f: RIGGS, Marlon: Non, Je Ne Regrette Rien (No Regret) (1993)

Image
RIGGS, Marlon (United States) Non, Je Ne Regrette Rien (No Regret) (1993) Spine #1082f Blu-ray Director/Writer Marlon Riggs was 36 when he directed Non, Je Ne Regrette Rien (No Regret) . Through music, poetry, and courageous self-disclosure, five HIV-positive gay Black men (among them poet and performance artist Assotto Saint) discuss their individual confrontations with AIDS, illuminating their journeys through the fear, shame, and stigma that accompanied the disease at the height of the epidemic toward healing, acceptance, and truth. In Je Ne Regrette Rien (No Regret) , director Marlon Riggs tells stories of self-transformation in which a once unmentionable "affliction" is forged into a tool of personal and communal empowerment. 38 minutes Color 1:33:1 aspect ratio Criterion Release 2021 The Extras The Booklet Forty-eight page booklet featuring an essay by film critic  K. Austin Collins . Commentary None. Four programs Featuring filmmaker and editor  Christiane Badgley

#1082e: RIGGS, Marlon: Color Adjustment (1992)

Image
RIGGS, Marlon (United States) Color Adjustment (1992) Spine #1082e Blu-ray Director/Writer Marlon Riggs was 35 when he directed Color Adjustment . What does the American dream look like? Where do Black Americans fit into it? And what is television's role in shaping our views of racial progress and the idealized American family? Picking up where the groundbreaking Ethnic Notions  left off, this pioneering work of media studies by Marlon Riggs presents a complicated, challenging, and nuanced view of evolving racial attitudes as reflected in popular programs such as Amos 'n' Andy, Julia, All in the Family, Good Times, Roots, and The Cosby Show . Narrated by Ruby Dee and featuring interviews with actors Diahann Carroll, Tim Reid, and Esther Rolle, African American historian Henry Louis Gates Jr., and producer Norman Lear, among others, Color Adjustment looks beyond the whitewashed, middle-class mythologies peddled by prime-time entertainment to track the ways in which Blac

#1082d: RIGGS, Marlon: Anthem (1991)

Image
RIGGS, Marlon (United States) Anthem (1991) Spine #1082d Blu-ray Director/Writer Marlon Riggs was 34 when he directed Anthem . "Pervert the language." Made at a time when Marlon Riggs was three years into living with HIV and the motto "Silence=Death" was the queer community's defiant response to the antigay policies of the Reagan era, this experimental music video employs a mix of poetry, African beats, and provocative imagery -- sexual, political, and religious -- in order to challenge and redefine prevailing images of Black masculinity. Led by the liberated dancing of the filmmaker himself, Anthem  is a bold vision of queer revolution, proclaiming "Every time we kiss we confirm the new world coming." 9 minutes Color 1:33:1 aspect ratio Criterion Release 2021 The Film A Film Rating (0-60): 60 The Extras The Booklet Forty-eight page booklet featuring an essay by film critic  K. Austin Collins . Commentary None. Four programs Featuring filmmaker an

#1082c: RIGGS, Marlon: Affirmations (1990)

Image
RIGGS, Marlon (United States) Affirmations (1990) Spine #1082c Blu-ray Director/Writer Marlon Riggs was 33 when he directed Affirmations . Marlon Riggs expresses the hopes, dreams, and desires of gay Black men in this ode to queer African American empowerment. Built around outtakes of interview and protest footage from Tongues Untied , Affirmations begins as a candid, sex-positive confessional about first-time penetration and evolves into a rousing chorus of calls for freedom, recognition, and inclusion. 11 minutes Color 1:33:1 aspect ratio Criterion Release 2021 The Film A Film Rating (0-60): 60 The Extras The Booklet Forty-eight page booklet featuring an essay by film critic  K. Austin Collins . Commentary None. Four programs Featuring filmmaker and editor  Christiane Badgley : performers  Brian Freeman ,  Reginald T. Jackson , and  Bill T. Jones : filmmakers  Cheryl Dunye  and  Rodney Evans : poet  Jericho Brown : film and media scholar  Racquel Gates : and sociologist  Herman

#1082b: RIGGS, Marlon: Tongues Untied (1989)

Image
RIGGS, Marlon (United States) Tongues Untied (1989) Spine #1082b Blu-ray Director/Writer Marlon Riggs was 32 when he directed Tongues Untied . Made, in Marlon Rigg's own words, to "shatter the nation's brutalizing silence on matters of sexual and racial difference," this radical blend of documentary and performance defies the stigmas surrounding Black gay sexuality in the belief that, as long as shame prevails, liberation will never be possible. Through music and dance, words and poetry by such pathbreaking writers as Essex Hemphill and Joseph Beam -- and by turns candid, humorous, and heartbreaking interviews with queer African American men -- Tongues Untied  gives voice to what it means to live as an outsider in both a Black community rife with homophobia and a largely white gay subculture poisoned by racism. A lightning rod in the conservative culture wars of the 1980s that incited a right-wing furor over public funding for the arts, the film has lost none of

#1082a: RIGGS, Marlon: Ethnic Notions (1986)

Image
RIGGS, Marlon (United States/Canada) Ethnic Notions (1986) Spine #1082a Blu-ray Director/Writer Marlon Riggs was 29 when he directed Ethnic Notions . Marlon Riggs brings viewers face-to-face with the insidious images that have shaped America's racial mythologies, in his first major work, a brilliant and disturbing deconstruction of the ways in which anti-Black stereotypes have permeated nearly every aspect of popular culture. Through razor-sharp historical analysis including interviews with historians and folklore scholars, powerfully deployed imagery, and narration by actor Esther Rolle, Ethnic Nations illuminates, with devastating clarity, how dehumanizing caricatures of Black people -- seen everywhere from children's books to films to household products -- have been used to uphold white supremacy and to justify slavery, segregation, and the continuing oppression of African Americans. In its refusal to look away from racism's ugliest manifestations, this Emmy-winning

#1082: RIGGS, Marlon: The Signifyin' Works of Marlon Riggs (Various)

Image
RIGGS, Marlon The Signifyin' Works of Marlon Riggs (Various) Spine #1082 Blu-ray Director/Writer There has never been a filmmaker like Marlon Riggs (1957-1994); an unapologetic gay Black man who defied a culture of silence and shame to speak his truth with resounding joy and conviction. An early adopter of video technology who had a profound understanding of the power of words and images to effect change, Riggs employed a bold mix of documentary, performance, poetry, music, and experimental techniques in order to confront issues that most of Reagan-era America refused to acknowledge, from the devastating legacy of racist stereotypes to the impact of the AIDS crisis on his own queer African American community to the very definition of what it is to be Black. Bringing together Rigg's complete works -- including his controversy-inciting queer landmark Tongues Untied and Black Is . . . Black Ain't , his deeply personal career summation -- The Signifyin' Works of Marlon

#1081: FORMAN, Miloš, ICHIKAWA, Kon, LELOUCH, Claude, OZEROV, Juri, PENN, Arthur, PFLEGHAR, Michael, SCHLESINGER, John and ZETTERLING, Mai: Visions Of Eight (1973)

Image
FORMAN, Miloš, ICHIKAWA, Kon, LELOUCH, Claude, OZEROV, Juri, PENN, Arthur, PFLEGHAR, Michael, SCHLESINGER, John and ZETTERLING, Mai (United States) Visions Of Eight (1973) Spine #1081/see also Spine #900 Blu-ray In Munich in 1972, eight renowned filmmakers each brought their singular artistry to the spectacle of the Olympic Games -- the joy and pain of competition, the kinetic thrill of bodies in motion -- for an aesthetically adventurous sports film unlike any other. Made to document the Olympic Summer Games -- an event that was ultimately overshadowed by the tragedy of a terrorist attack -- Visions of Eight features contributions from Miloš Forman, Kon Ichikawa, Claude Lelouch, Juri Ozerov, Arthur Penn, Michael Pfleghar, John Schlesinger, and Mai Zetterling, each given carte blanche to create a short focusing on any aspect of the Games that captured his or her imagination. The resulting films -- ranging from the arresting abstraction of Penn's pure cinema study of pole-vaulte

#1080: BELL, Martin: Tiny: The Life Of Erin Blackwell (2016)

Image
BELL, Martin (United States) Tiny: The Life Of Erin Blackwell (2016) Spine #1080 Blu-ray In Tiny: The Life of Erin Blackwell , director Martin Bell and photographer Mary Ellen Mark draw on their thirty-year relationship with one of the most indelible subjects of Streetwise . Now a forty-four-year old mother of ten, Erin Blackwell, a.k.a. Tiny, reflects with Mark on the journey they've experienced together, from Blackwell's battles with addiction to her regrets to her dreams for her own children, even as she sees them being pulled down the same path of drugs and desperation that she was. Interweaving three decades' worth of Mark's photographs and footage that includes previously unseen outtakes from Streetwise , this is a heartrending, deeply empathetic portrait of a family struggling to break free of the cycle of trauma, as well as a summation of the life's work of Mark, an irreplacable artistic voice. 88 minutes Color 1:85:1 aspect ratio Criterion Release 2

#1079: BELL, Martin: Streetwise (1984)

Image
BELL, Martin (United States) Streetwise (1984) Spine #1079 Blu-ray Seattle, 1983. Taking their camera to the streets of what was supposedly America's most livable city, filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall set out to tell the stories of those society had left behind: homeless and runaway teenagers living on the city's margins. Born from a Life magazine exposé by Mark and McCall, Streetwise  follows an unforgettable group of at-risk children -- including iron-willed fourteen-year-old Tiny, who would become the project's most haunting and enduring figure, along with the pugnacious yet resourceful Rat and the affable drifter DeWayne -- who, driven from their broken homes, survive by hustling, panhandling, and dumpster diving. Granted remarkable access to their world, the filmmakers craft a devastatingly frank, nonjudgmental portrait of lost youth growing up far too soon in a world that has failed them. 91 minutes Color Monaural